carrie prom scene analysis
However, it uses an omniscient narrator for most of its story. Carrie unleashes her powers, hurting everyone at the prom. As far as Carrie knows, this is a normal home life. Moore's Margaret is a purely pitable figure who scratches and cuts her own flesh, and who cannot love herself, let alone a child. thissection. It establishes a connection between the two girls and gives Sue a voice to tell their stories. The lighting changes to a dramatic red which connotes blood, which then is alluded to the idea of violence. Curiously, for such a secular movie, this "Carrie" lends Biblical significance to every blood drop spilled. Of course, it goes without saying that checking off that list of sins, Carries pen could mark an X next to None of the Above. Carrie never fell prey to even normal teenage lust. King crafts a lean, chilling, and insightful story that has at its heart a pair of complicated teenage girls who resist easy characterization. Margarets fanatism influenced Carries life as it cut her off from the real world. Carries mother forces her into the closet. In the final scene of Pierces theatrical cut, Sue is interviewed by an investigative committee, the only extant footage of the White Commission. Soles) in Carrie dies via fire hose. In screenwriter Bryan Fuller and director David Carsons adaptation, no one gets haunted by Carrie, either literally or figuratively, because Carrie doesnt die. The lines between hero and villain are blurred, De Palma makes us sympathises with Carries violence through the micro film elements, especially sound. The bucket ends up hitting Tommy and he dies. The speed of the editing is incredibly fast and is hard to absorb and begins to feel subliminal, the association between the shots is often the eye line matching. Carrie discovers she is not an ordinary person as she discovers she has telekinetic powers. The ability to move objects and control things represented Carries desire to control her life. Carrie is a movie inspired by one of Stephen King 's first novels, a dark story mixed with dramatic notes, where all the uncertainties and fears of adolescence, such as the problem of being different in a society that does not forgive, are transformed into anger and the desire for revenge. The story of Carrie, has been enshrined in pop culture as a fairly straightforward horror story, a quite literal bloodbath. The scene is then split into two frames; one of De Palma signature trademarks is the use of a split scene. When the Stephen King book was first optioned, it was set up with producer Paul Monash at 20th Century Fox, and Monash hired writer Lawrence D. Cohen to pen a first . The Female Revenger: Gothic Influence in Stephen Kings Carrie and Gillian Flynns Gone Girl, Emergent Sexuality and Religious Shame: How Stephen King in 'Carrie' and Peter Shaffer in 'Equus' Use Stylistic Features. She doesn't magically become the girl every guy fantasizes about. She doesn't fit the traditional role of femininity that is often sought out in high school. GradeSaver, 24 September 2019 Web. Still, Peirce's movie does have a nod to this dress in Sue's unworn prom . The sequence was filmed, but the effect of the rocks did not result in De Palma's liking, so the ending was changed. De Palma opted to keep the shot in the film, even though Soles was so badly hurt that she could not hear out of one ear for the following six months before the eardrum eventually mended. is a horror story of isolation and abuse about a girl with no safe haven and no one to understand her. Carriebrings out the best of horror from a relatable teenage perspective; this made the novel popular among young adults. hallucination, then pulls of her wig and stars pensively into the distance. Unlike in de Palmas film, there is no indication that the gravestone shattering moment exists in the context a dream: Sue doesnt even see the stone shatter, only the audience does. We may earn commission from links on this page, but we only recommend products we back. Carriemade sure to dive deep into the mind of its main character as it showed everyone a girl who wanted to be loved, respected, and feared. Based on Stephen King's first published novel, the story centers on Carrie (Sissy Spacek), a timid teenage girl who is bullied in school by popular girls and tormented at home by her fanatically religious mother (Piper Laurie). , but not the character of Sue Snell or her relationship with Carrie. While bathing, Carrie discovers blood oozing out of her body and freaks out; this causes a group of girls to laugh at her and bully her. Due to how well the book articulated its themes in the life of its characters, Carrie was regarded as an excellent first book for Stephen King. The community's original sin was attacking Carrie in the shower, humiliating her for manifesting signs of Eve's "curse." Carrie is a novel that brings themes of vengeance, pain, and suffering into the life of a young girl who should have never experienced the torment she received from everyone. So too is the Bates Packing meat-plant seen later in the film. write out a theme statement for Femininity in the book. Tommy asks Carrie to prom, and though she initially tries to decline, she later agrees to his offer. Its a striking ending that is consistent with both genre tropes and de Palmas specific vision for. The primary genre ofCarrieis horror. The film that resulted after excessive studio tinkering is much closer to de Palmas movie than Kings novel. However, the rocks can still be seen in the final shots of the film, aligning the White house in the place of charred ashes. Ironically while the rest of the cut footage was rumoured to me much more consistent with Kings novel, this ending borrows significantly from de Palmas film, with Pierce doing him one better on the shock front after all, whats more horrifying that someone haunting you from beyond the grave? The camera is static when showing Carrie, in contrast to her victims, this shows that she is now in control. The first "Carrie" was horror. had a famously troubled production and post-production. Carrie returns home to confront her mother, who calls her a spawn of Satan. Though the story is fictional, its elements of realism push the mind of its reader to the extreme. Short of a Carrie adapters roundtable, wecan never really be sure. Accessed 1 May 2023. When. Even after the blood comes in the locker room, Carrie remains innocent. Pino Donaggio filled the role, composing a four-note string arrangement that is nearly identical to an overage in Herrmann's Psycho score. Miss Desjardin, the gym teacher, places the girls on punishment, and after their leader Chris protests, she gets banned from prom. Carries mind was far from innocent; this made her feel like a terrible sinner as part of her mothers fanatism was present in her. Carrie is an innocent. To prepare for her role as Carrie, Sissy Spacek deliberately isolated herself from the rest of her cast members while on set. This kind of horror story suits a spooky or bloody twist ending; it may even demand one. This ending sits a lot more strangely with the rest of Pierces film because it seems to undermine the connection established between Sue and Carrie at Carries death by ending on a note of fear. In Pierces adaption, Sue does find Carrie at the end of the latters reign of terror; she tries to help Carrie out of the rapidly disintegrating house and pull her to safety. Pierces original aim was to to be a reinterpretation of Kings novel; there are rumoured to be 40 minutes of cut footage, including filmed versions of many of the White Commission. Carrieby Stephen King is a novel that tells the story of a teenage girl Carrie, who faced torment in many aspects of her life. Carrie is not the monster; she is Carrie the good Christian girl. Her gawkiness is internalized. Margaret White and Chris Hargensen take the role Carrie occupies at the end of the other adaptations with Carrie essentially taking on Sues role. Not knowing anything about menstruation, Carrie freaks out. Carries teacher, Miss Desjardin, comes to the rescue and saves her from the bullies. 40 years ago, Carrie White went to the prom. An adverse effect of Carries ostracization was her not even knowing how the female body works. The 2002 made-for-television adaptation of, offers another ending for the story that differs dramatically from the novel and the film adaptations and for good reason. Blood represented an entity that Carrie knew she was never going to escape. She acknowledges that yes, her boyfriend and all of her friends died that night, but she knows what she saw. Ehiosun, Joshua "Carrie Themes and Analysis " Book Analysis, https://bookanalysis.com/stephen-king/carrie/themes-analysis/. Chris is the sinning woman that Carries momma should be praying for. In the end of Deliverance, the protagonist is jolted awake by a nightmare of the sadistic cannibal strangers who hunted him throughout the film. The role marked the first time Laurie acted in a film since The Hustler in 1961. They should really put a sign up: "Don't flush tampons down the toilet, or throw them at each other ." Importantly, though, Sue is the only one who seems to feel bad about it. Carrie snaps out of that hallucination, then pulls of her wig and stars pensively into the distance. A state of emergency is declared in Chamberlain as the death toll reaches four hundred. The horror most strongly associated with. This guilt eats away at her for the whole novel. It comes at night. She lays on the ground, exhausted and dying, to look at the stars. Not affiliated with Harvard College. For example, where the girls in the 1976 "Carrie" tormented the menstruating heroine in the shower in a wolf-pack manner, as teenaged boys might attack another teenage boy, the shower attack in this film is a joke that originates in embarrassment and nausea, then snowballs. RELATED: The Cast Of Carrie (1976): Where Are They Now? "Carrie Study Guide: Analysis". (Stephen King's source novel sold one million copies when released in paperback in 1975.) While filming the scene, Soles became severely injured when the intense water pressure from the hose popped her eardrums. The words Carrie White burns in hell appear again here, this time scrawled in red paint across Carries actual gravestone. From Tommy to Chris, Billy, and almost all of Carries classmates, the death toll in the novel was staggering. The version of Sue in this film is a slightly smoothed-out version of Kings character not quite as cruel or derisive in her worst moments but Pierce does maintain Sues complexity and the connection between her and Carrie. After showing reluctance for a while, Carrie accepts Tommys invitation. Its a significant alteration. Carrie's prom scene serves as a climatic eruption of revenge. In this ending, there is no investigative hearing and no voiceover explaining the reasons behind Carries break. Sue still places the flower on the grave but this time, she reaches for her (obviously pregnant) belly and screams in pain. Blaming themselves for the incident, Desjardin resigns. Carrie cant seem to turn around without stumbling over Chris Hargensen: The catcall came first from Chris Hargensen., Chris Hargensen called up after school from the Kelly Fruit Company downtown and asked her if she knew that pig poop was spelled C-A-R-R-I-E., She cant get away with it! The novel dived into the life of an ostracized girl, Carrie, who had no friends since she was little. Best summary PDF, themes, and quotes. 'Carrie' is a novel that brings themes of vengeance, pain, and suffering into the life of a young girl who should have never experienced the torment she received from everyone. The intention of the editing and sound is to set up tension in the build up to the pig's blood being poured on Carrie. This infantilizing is made clear when her mother fails to tell her about menstruation, her first period being her rite of passage, as it were, into womanhood. In this dream Sue dressed in a white flowing gown and holding a colourful bouquet of flowers, walks toward the site of the former White house, where Carrie White burns in hell is scrawled in red paint across a For Sale sign. The camera stays on the gravestone as Sues black-booted feet walk away and an electric guitar riff starts up. A bond, however conflicted and short-lived, forged between the pair. At school she is bullied for her appearance, her general difference to others and of course the very public beginning of her menstruation. Her story is just beginning. AndKing is careful to showhow much easier that makes it for people (and potentially even the reader) to marginalize her and to accept the brutal, dehumanizing treatment of her. In a sense this suggests that now the reality of the situation kicks in, as the hazy cinematography and almost fairy tale mise-en-scene elements give the scene a make-believe mood.